resonance

REJOICE!

until

You never really what happens until it happens; just praise Jesus.

endureth

Premium

The third installment of work produced at 322 featuring Alan Hewitt on the 322 hybrid kit.
There's also an Alissa W/Mike P jam in here; their debut on a track together.

Leave no man captive.

Originalfarbe

You're gonna get to hear this before me.


  Photo courtesy of the @iivg collection.

Wer glaubt,

Listen and learn.

God is good.

eftersom jag måste

 Nothing witty to say at the moment, just overwhelmed with the waves of inspiration found in the word; brings everything together; all the pieces, dissociations; triple snares; kick algorithms; layers of sawblades; triangular waves and octave prisms; they all become simple play when the word is the source and reason for creating.

tandis que vous pouvez encore respirer

Check the flow for mediation:

Psalm 49

King James Version (KJV)

49 Hear this, all ye people; give ear, all ye inhabitants of the world:

2 Both low and high, rich and poor, together.
3 My mouth shall speak of wisdom; and the meditation of my heart shall be of understanding.
4 I will incline mine ear to a parable: I will open my dark saying upon the harp.
5 Wherefore should I fear in the days of evil, when the iniquity of my heels shall compass me about?
6 They that trust in their wealth, and boast themselves in the multitude of their riches;
7 None of them can by any means redeem his brother, nor give to God a ransom for him:
8 (For the redemption of their soul is precious, and it ceaseth for ever:)
9 That he should still live for ever, and not see corruption.
10 For he seeth that wise men die, likewise the fool and the brutish person perish, and leave their wealth to others.
11 Their inward thought is, that their houses shall continue for ever, and their dwelling places to all generations; they call their lands after their own names.
12 Nevertheless man being in honour abideth not: he is like the beasts that perish.
13 This their way is their folly: yet their posterity approve their sayings. Selah.
14 Like sheep they are laid in the grave; death shall feed on them; and the upright shall have dominion over them in the morning; and their beauty shall consume in the grave from their dwelling.
15 But God will redeem my soul from the power of the grave: for he shall receive me. Selah.
16 Be not thou afraid when one is made rich, when the glory of his house is increased;
17 For when he dieth he shall carry nothing away: his glory shall not descend after him.
18 Though while he lived he blessed his soul: and men will praise thee, when thou doest well to thyself.
19 He shall go to the generation of his fathers; they shall never see light.
20 Man that is in honour, and understandeth not, is like the beasts that perish.

pitillo

... A weekend recap; there's a track on here with Alan on drums from the tornare indietro  sessions; 
then one with Alissa on synth (she sent me her LA 70's yamaha sound via gmail). 

The other 3 or reflective; with the center being very exposed. Enjoy. ..ps; all glory to God. Smoke in various forms is very biblical btw.

The End

One cool thing about reviving this blog is I get to share the stuff that the tumblr has been getting and relive  those moments and sounds (not to mention get regenerative inspiration).

The End is said to have dropped on the 15th of July, 2013 (it's currently the 22nd of June, 2013).


This  in an indicator to me that I probably didn't really like it when I dropped it.

When you're working and dropping as much/fast as I do, it's all confidence and intuition. 

                                                                                                                                                                   

I'm on track 2 now - this was from Summer 2012, it has Alissa Westerberg performing female vocals parts; Alan Hewitt live drums on several tracks, 3 and 4 thus far.


Style points.

Special stuff; cheers. Arizona now has that trust Mac.

This may be a repost, the metatag (Label as blogger calls it) for The End was already used.

Solid work.  

I was cruising the bandcamp sales stats and found out that someone picked it up this week, cheers to you!




Now without further ado, The End.

Drift Quiet

Sorapi Summer

90 minutes of some of role's finest; for you banging on the beach, cruising in the club and driving in the dunes.

From 322 on the night before and night of Edward Lund's delivery of a luscious red 2006 Volvo S40; previously owned by a girl who graduated from UGA.

Tracklist?

It starts with:

Poly teardrops (Peter from cardio-atl/The SoundTable likes this)

Dose (role's remix of Klangkarussell)

Then you hear U I  (featuring Alissa Westerberg) ; Rio

Then role's too shy shy remix (I forgot the name; it's probably in French)

Then a remix of the new wavves beat (named "role's fish tacos (TOTAL CARNAGE)

Then

Mourir comme RockStar (rôle remix)

Then 

Fireworks with u. - Hear the wonder voice of Alissa that I am so blessed to have on my mic.

Then role's Dj Falcon remix (I forgot the name; it's probably also in French)

Then The Avalanches!

Our Deal*

(* sooooo good, so satiny, so crisp; tight, black, cab, leather, sensual, jazzy, smokey, Robinson (Edward Lund's middle name), incorporating all the forms and disciplines' of a true master.

Then to some Gorillas vs role fun; a catchy number called "Understanding Snorers" ( cuz I now have one in my life; secret - not so secret - admirer and NOT my femme fatale)

Then a bit with Creed on tamberoine and Ginger on the mic; 

Quickly off to something that sounds like it's from Achtung or early Feb.12; can't recall it's name atm; if you figure out which name/album this one if listed as, I'll #tag you!

Non of the reaktor stuff on this one, lots of maschine though (with just as much mpc)

Off to "mi bloque" - on of the first French jams; so off course very West Coast; complete with Tupac sample.

We're now at 43:48 minutes/seconds into the mix.

Envision Puerto Rican basketball gods from the 80's; blessed by God with one of the most natural beauty's ever formed by God.

Straightaway to "Lecture u"

(ps - since I'm in a sharing mood; Lecture U is a animal collective sample.)

Off to something rather new; iron and gold; shimmering in the cool dark, Juniperian  night sky.

A movement, a subtly, a hint, a display, a blush, a hush, hand over mouth - keeping you, restraining you, freeing you, just for me.

Only for me, all you have, all of you, only you (and you, and you and especially you) - not to be shared with, no man to ever behold you like I do, to see the layers and smoothness and grace and hints and suggestive walks; to experience the arousal even when alone, long to be reunited; longing to cleave to be wanted.

I see, understand, know, am aware, reciprocate and long for you as well.

And the source of this love? 

Father God and his only begotten son Jesus Christ. 

Next track:

role's glorious Jessie Ware remix; danser sur ma propre (role 110% rework)

55:14 (current in-the-mix timestamp)

Followed by:

Mettre en Suvre l'aigle (role Yves-Klein Blue remix)

- Totally appropriate with the whole Chip Buddy dance crazing happening over there in bloody Britannica.

Which leads across the chanel and back to dear old France with role's Phoenix remix of "Feel Better" (again, the title's in French, impossible to recall by at the moment).

More "danser sur ma..."

We're now 1:03:11 into the mix (manual conversion, obviously).

Then the total baller; Parce que nous roulons grand temps

Good things are happening to us in this mix, we make good things happen quite quickly together.

We fire each other up for excellence. We reward each other. We praise (as in encourage) each other - constantly; we glorify God.

Then a track Steve Barber, King of the Gormet Dog Food Industry likes "Here comes the King."

Then one of my @clammityclams remixes; this one is from the Benji B show on Radio 1 .BBC.COM.

It's now 1:13:29 into the mix, you're either really lonely and hurting and alone, swaying to the hi-hats, sad beautiful thing that you are; of you're one of the lucky gentlemen who were able to escort her to a cab and then your deluxe condo in the sky.

Followed by a nice soulful remix by role; it's name (probably also in French - thanks for bewitching me @amdne - not that you even tried too); hear those trumpets, that praise in the aisles, all that misty white, clean good stuff.

The vibe is airy and honest. Rich with sentimentality and unrequited longing for love.

The trumpets and swirling cutoffs and oscillators make me long for you.

You're body.

In my bed.

My kids may very read this and know as they already do; their father is very much alive.

Thank you God for these stirring words.

I said that for your benefit.

Next track? Most likely French in title as well; a nice Kroger run in the Jetta on a Saturday morning for Milk and bacon dub jam. 

*Not a remix, a total roleatl original (as much of this playlist is).

1:20:13; the crowd at The SoundTable as thickened; the dance floor is packed; couples not wanting the magic of the night to end are dancing, embracing, romancing.

Drinks are being served like crazy. "Keep it open" is heard repeatedly, heard only by the keenest of those possessing spider senses.

This may be the last one; 1:01 left. Feel that thump? That's real. And it's in you.

:41 Buenos Nachos.

1:23 plus some seconds in all, and a great night was had by all.

A residency is being formed with role and the like minded, and grooved.

Sorapi Summer by @85lives on Mixcloud

Brights

Recorded at 322 in July; 2012 on Friday the 13th.

Completed production with flying colours on July 21st.

All glory to God, the only one who can fill this void in our lives.

lyrics

When I'm traveling
I finally realize what I'm missing
it's you.

credits

from A New Hope, released 16 July 2012
God
Family
Friends

Alan Hewitt on drums
Alissa WestedBurg on forefront backing female vocals.
Edward Lund on organ, background front male vocals.

On July 21st, Edward overdubbed some warm p-bass guitar, and layed another background (leading male) vocal and concluded its production.

tags

tags: 85lives atlmusic chillwave dream-wave electronic shoegazesynth tropical chillout chillwave jazz organic tropical vhs vhs-bass vhs-dub United States

license

all rights reserved

First track on the new offical.fm page

sip

From 7/19/12
Some very dark tides came over me this evening. While in Lenox Mall, the power of status quo and purchasable fake (and some real) beauty overcame me to the point
of exhaustion and well, let's just say that this track was almost not delivered unto 
you.


If it wasn't thru the Love of God exhibited thru the women in my life, I don't think 
I'd be typing this.


Alissa did the vocals female backup vocals on this, Edward (3rd person narrative) did the  vocoded vocals and sequencer.


From "The End" - it's last track.
http://role.bandcamp.com/album/the-end


The end of "The End" - fitting.

tweaknd

Woke up at 3am with this in my head; 
knew this song was ready for the soundcloud.
Miss working with Alissa big time.

tweaknd

Love seeing the old stuff still getting, love - Search this blog for these jams, lemme know if they need revisions!

ui (feat. Alissa)

... uploaded on 7/2/12; had to bump it up on 7/11/12. 


  Alissa came over and rode the flow. - First dropped this on 6/28/12; but it's so good had to bring it to the top again on 7/2/12. 
 This is one to push for Alissa and I. 
Definitely.

All proceeds of Coagulo

And Kinda Like This But Animated

Will go to the re-elect 
president Obama fund.

Coagulo

Free this weeknd only, get it!

Fireworks with u. (feat. Alissa)

OMG what a perfect session that was!

Faites-le dès maintenant (feat. Alissa)

Enter Alissa, the promoter - on vocals.